Lee Tzu Tung’s artworks focus on the politics of art, and how art and artists could serve or be transformed in politics. The film is a conclusion of her three-year political experience in both Taiwan and America. The director taking herself as an object in the experiment, joined Taiwan’s legislation procedures, election campaigns, organized indigenous movements, gender movements, and a bilingual press. Under the cover of a political activist, she tries to observe the reason for political fever and furthered her reflection on modernization and its effect on people’s life.

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This ethnographical yet experimental documentary will cover the topics including the transformation of Taiwan’s national identification,  how cross-cultural marriage works in modernity, how indigenous queer fit in their tradition, and reflect on how internationalization in contemporary art effects local creators.

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**The film is completed by a all-female film crew, and all the 50mm shots are directed or operated by the interviewees.

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我從2014年中開始，決定去探討關於台灣國族及性別認同的狀況，探訪了各政治社團包括中國和統會、台灣人公共事務協會（FAPA）、時代力量、民進黨及各個部落。預計2018年將完成這部實驗民族誌，本片劇組工作人員將全為女性，並與受探訪者合作一起拍攝影片。